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Joined 4 years ago
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Cake day: July 18th, 2021

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  • Gotcha.

    I see what you mean. Apocalypse World is not on the side of brutally hard or the side of trivially easy; it sits in the middle, in “yes, but”. Some games make certain things impossible (“No, you can’t jump to the moon”). Other games make things trivial (“Sure, use your ‘ultra high jump’ ability”). In other games, the difference between “you can’t” and “sure” is just your character’s level.

    This means that, no matter how weak or strong your character is, you can try anything. This does not mean, however, that all characters in Apocalypse World are equally competent. In Apocalypse World, an incompetent character usually has a -2 stat, while a very competent character has a +3 stat. The difference between -2 and +3 is quite massive, even if it doesn’t seem at first.

    You can be sure of it by checking out this graph that Vincent Baker, the creator of Apocalypse World, made:

    Notice that your odds of a strong hit go from 5% to 55%. Your odds of at least a weak hit go from 30% to 90%. If a teacher saw their student go from 30% to 90%, they’d think the student changed, grew, became more competent.

    Well, but aren’t other games more dramatic in their character stat growth? Aren’t other games in the extremes of brutally hard or trivially easy? Probably, but I’m not sure that this is a bug. To me, it’s a feature.

    My players can try anything. They want to burn the whole realm in a single Move? They do it. And I get to think about how that changes the world. I get to think about how the fire destroyed their own home. I get to think about what new societies arise from the ashes. I get to think about how the players’ NPC friends are now plotting against them. In other words, the fact that players can try anything at all makes the game very interesting to me and to my friends. I never tell them “nope, you can’t”. I also never tell them “obviously you can”. Instead, they can always genuinely try. And the world constantly adapts. There is no status quo. That’s the feature, not the bug.

    If players can try anything, how come their character sheets are so over-constrained? This is a good point. I agree with you. If you dislike the character sheets in Apocalypse World, it’s kind of a bummer. However, the way that Apocalypse World does characters is decidedly not how all PbtA games do characters. Vincent Baker himself has said that his character playbooks are a sort of historical accident and that other PbtA games could be entirely different (1). And, indeed, there are PbtA games that are entirely different.

    Take Ironsworn or Starforged. Both of those games are Powered by the Apocalypse and have an explosion of options for character creation. During character creation, you’re given a deck of cards, and you get to pick three of them for your character. Each card represents a special feat, ability, companion, tool, magic, vehicle, or other options. In Ironsworn there are 75 assets, which gives you 405,150 different combinations for your character. In Starforged there are 87 assets, which gives you 635,970 different combinations for your character.

    How does Daggerheart fare in this regard? Does it over-constrain characters? In short, it’s nowhere close to Apocalypse World. Yes, it doesn’t have Ironsworn and Starforged’s explosion of options. However, they do have a card system in which you can choose your character’s ancestry and community. You also choose different cards every time you level up, cards that are specific to your class. This is definitely not an over-constraining game.

    So, to recap, the difference between a competent Apocalypse World character and an incompetent one is great. However, players can still always succeed or always fail, which I think is not a bug, but a feature; the world is always adapting to what players do! Finally, Daggerheart is nowhere close to Apocalypse World in terms of over-constraining characters.

    (1) Here Vincent Baker shows that Playbooks are even optional to the Apocalypse World model.



  • Huh. Thanks for sharing. I’m totally up for critically evaluating Critical Role and Daggerheart.

    I do agree that Critical Role’s play style was a bit like a square peg in a round hole. Other games could’ve been more appropriate for them. Arguably a more appropriate game for them is Daggerheart.

    As to not letting your personal feelings about Critical Role cloud my judgement, thanks for caring about not biasing me. At the same time, I’m sure you have good reasons to be critical of Daggerheart. Understanding why we say what we say sounds like a good plan, and I’m curious to hear what you think:

    What is it about Daggerheart that makes you think it’s nothing more than a platform to continue their failing brand?


  • EDIT: Oh… I just realized you asked how it DIVERGES from PbtA, not how it is similar to PbtA. lol my bad. I’ll come back with a more informed response later!


    So far I can confidently tell you that the Player Principles in Daggerheart are very much like the Principles of Apocalypse World:

    • Be a fan of the character
    • Address the characters
    • Look through crosshairs
    • Play to find out what happens

    In other words, it gives clear guidance on what it means to be an MC/GM. It’s explicit about not railroading. It’s explicit about not pulling the rug underneath your players (“Oops! You didn’t check for traps! That’s 999999 bludgeoning damage coming your way!”). I like when games are this explicit; it’s easier to have a conversation about what good and bad GMing looks like.

    I also know that it doesn’t just have success and failure (and critical successes and failures). Instead, it has successes and failures that aren’t as extreme, so small complications pop up more often.

    The character progression checklist also looks straight up from an Apocalypse World character sheet (in a good way!). [Edit 2: I learned that the checklist might be similar to Apocalypse World, but there’s this whole card system where each level involves choosing new feats or abilities or things like that, all related to your class]




  • The problem you’re describing (open sourcing critical software) could both increase the capabilities of adversaries and also make it easier for adversaries to search for exploits. Open sourcing defeats security by obscurity.

    Leaving security by obscurity aside could be seen as a loss, but it’s important to note what is gained in the process. Most security researchers today advocate against relying on security by obscurity, and instead focus on security by design and open security. Why?

    Security by obscurity in the digital world is very easily defeated. It’s easy to copy and paste supposedly secure codes. It’s easy to smuggle supposedly secret code. “Today’s NSA secrets become tomorrow’s PhD theses and the next day’s hacker tools.”

    What’s the alternative for the military? If you rely on security by design and open security for military equipment, it’s possible that adversaries will get a hold of the software, but they will get a hold of software that is more secure. A way to look at it is that all the doors are locked. On the other hand, insecure software leaves supposedly secret doors open. Those doors can be easily bashed by adversaries. So much for trying to get the upper hand.

    The choice between (1) security by obscurity and (2) security by design and open security is ultimately the choice between (1) insecurity for all and (2) security for all. Security for all would be my choice, every time. I want my transit infrastructure to be safe. I want my phone to be safe. I want my election-related software to be safe. I want safe and reliable software. If someone is waging a war, they’re going to have to use methods that can actually create a technical asymmetry of power, and insecure software is not the way to gain the upper hand.